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Erik Sanko releases solo debut set
19 November 2001
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On 4 September, experimental pop artist Erik Sanko released his haunting and sublimely affecting chamber-folk solo debut Past Imperfect, Present Tense on Jetset Records. It follows his noise-rock work as Skeleton Key in the mid ’90s (and continuing with a new lineup starting in 1999), and a stint with NYC jazz punk legends The Lounge Lizards.
    On the new album, Sanko, a fan of Captain Beefheart and Tom Waits, has assembled a delicate, cinematically-evocative masterpiece of despair, longing, and mystery. While minimalist throughout (he recorded the album in his apartment), Sanko manages to continually surprise with odd instrumental mixtures and a veritable catalog of vocal stylings and processings. The set manages to walk the wobbly tight wire of thematically-cohesive variations, with songs like short stories that could each inspire a novel but gel nicely into a single satisfying volume.
    Past Imperfect, Present Tense is extraordinarily introspective and low-key without descending into melancholy. At the same time it offers a generous helping of fresh and inspiring melodic hooks that stick in your head, and even a snippet of humor here and there—such as on the poignant and goofy I Get Along Fine, which employs male & female synthetic voices from Apple’s now-so-retro System 7 MacInTalk era.
    Sanko’s solo debut is one of the best-kept pop secrets of the year, as well as one of 2001’s important albums. Five bites out of five.

Rockbites ratings  5: life changing, 4: stunning, 3: captivating, 2: amusing, 1: annoying.

| Erik Sanko on Jetset | | Skeleton Key | | CD from Amazon US | | top of page |


 


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